Industrial synthesis engine
Two oscillators that feed back into themselves, a diode ladder filter that chews rather than colours, wavetable and granular sampling from any audio file you own, and a modulation matrix that runs at audio rate. Built for sounds that were never meant to be polite.
Ninety-seven parameters, all automatable, none hidden.
Two band-limited oscillators with per-oscillator feedback and through-zero phase modulation, plus a sub that bypasses the filter so the low end survives a resonance sweep.
Zero-delay-feedback ladder with per-stage saturation and four characters: Clean, Diode, Transistor and Broken. A Bite control takes it from coloured to genuinely damaged.
Load any WAV, AIFF or FLAC. It becomes both a mip-mapped wavetable and raw granular material, so one load and a mode switch changes how it is played, not where it lives.
Six matrix slots across twenty-eight destinations. Sources include the oscillators themselves and the voice output, so you can close a loop the fixed panel cannot reach.
A second oscillator pair with independent drift, panned against the first. Unison, octave, fifth and super modes. Measured, not claimed: L/R correlation drops from 1.00 to 0.86.
Across Bass, Lead, Pad, Perc, Keys, Seq, Extreme, Gemini, Matrix, Teeth, Wave, Cloud and Texture. Level-matched, so browsing is not a volume ride.
Factory presets, straight out of the plugin. No mastering, no drums hiding anything, no post-processing beyond level matching.
Long, slow, built to sit under everything else.
Playable, evolving material between pads, effects and metallic keys. Unlike the Cloud presets these need no sample of your own.
Granular. These run on a sample you load yourself, so what you hear here is one source among infinite others.
Wavetable oscillator showcases.
The doubled oscillator pair. These lean on stereo width rather than volume, so they sit wide in a mix without eating headroom.
Struck and plucked. Yes, it does playable too.
The nasty end of the instrument. Matrix-driven and deliberately unstable: audio-rate sources, feedback into the voice, and pan modulated hard so the image will not hold still. They are meant to be difficult.
The demo is the full instrument. Nothing is disabled.
Every preset, every parameter, no time limit and no nagging. After the first minute of playing, the output fades to silence for a second and a half, roughly every forty seconds.
That is deliberate. A trial that expires in fourteen days interrupts you when you reopen a project months later, and it resets by reloading the plugin, so it stops nobody. This lets you learn the instrument properly and build a patch you actually care about, while making the output useless in a finished track.
Download links appear here as soon as a verified release is published. Nothing unverified is ever linked.
One short email per release, describing what actually changed. No marketing, no schedule, and you can unsubscribe from any of them.
Read this bit before buying.
| Operating system | macOS 10.13 High Sierra or later on Intel. macOS 11 Big Sur or later on Apple Silicon. |
|---|---|
| Windows | Windows 10 or later, x64. Includes VST3, CLAP and standalone. |
| Formats | AU on macOS (Logic, GarageBand), VST3 and CLAP on macOS and Windows, plus a standalone app on both platforms. |
| Architecture | macOS universal binary for Intel and Apple Silicon. Windows x64. |
| Installation | macOS is signed with Developer ID, notarised by Apple and stapled. Windows uses a verified installer; SmartScreen may warn until the Windows build has established signing reputation. |
| Copy protection | A licence file with your name in it. No dongle, no subscription, no activation server, nothing to phone home. |
One payment. Every future 0.x and 1.x update included.
A personal licence file is generated and emailed to you within a few minutes of purchase. The signing key lives on one machine and never leaves it, which is what lets your licence keep working with no activation server behind it. If the email does not arrive, contact me with your order reference and I will issue it manually.
As many as you personally use. The licence is tied to your name, not to a machine, so there is no seat count and nothing to deactivate when you replace a laptop.
Nothing. Verification is local: the plugin checks a signature against a key compiled into it and never contacts a server. A build you own today will still activate in ten years.
Email me with your order reference and I will reissue it. There is no limit on that and no charge.
Yes. The Windows x64 installer includes VST3, CLAP and the standalone app. AU is a macOS-only format.
Yes. They live in your own Application Support folder and are never touched by installing, updating or uninstalling.
Yes. Anything you make with MOLOCH is yours, with no royalties and no credit required.
Open Logic Pro › Settings › Plug-In Manager and choose Full AU Reset, then restart Logic. The installer forces a rescan, but Logic occasionally needs to be told twice.